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With only one seam that covers nearly half of the marble and the rest of the colors just swirled together, I believe this is one of the early Peltier efforts made on their first, and very controversial, machine named after the designer William J. Miller. In addition to the red and green colors over the opaque white base glass of the so named Christmas Tree, there is a thin line of yellow as well as a transparent carnelian-like brown that concentrates to a very dark, almost black, brown.
CONDITION: MINT 9.5 The surface is wet and shiny with no sign of wear that I can see even with a bright light and lens. There are some faint roller marks and creases where the colors meet, and a couple of microscopic as-mades. The little white specks you see are debris, from my cleaning rag. You may click here to view the grading system I use. | |||||
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